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Alexander.Paley.-.[Balakirev.-.Complete.Piano.Works.(Brilliant)].巴拉基列夫钢琴作品全集(6CDs)

唱片英文名称： Mily Balakirev Complete Piano Works
唱片中文名称： 巴拉基列夫钢琴作品全集
作曲： Mily Alexeyvich Balakirev (1837-1910) 米利·阿列克谢耶维奇·巴拉基列夫
演奏： Alexander Paley (1956-) piano 亚历山大·帕雷
唱片公司： Brilliant Classics
唱片编号： 92617
唱片碟数： 6 CDs
唱片总时： ?小时?分?秒
录音时间与地点： 1992, New York
录音格式： DDD
发行日期： 1992
资源格式： FLAC (整轨)(总约1.20G)(Flac, Cue, Log, Cover, no Booklet)
资源出处： 网络 (鸣谢原发布者，其精神赶天旱地)

唱片简介：

Mily Alexeyvich Balakirev 米利·阿列克谢耶维奇·巴拉基列夫(1837-1910)

    俄国作曲家、音乐活动家。巴拉基列夫诞生在尼日戈洛德一个没落贵族家庭。自幼显露出不凡的音乐记忆力。母亲是他最初的音乐教师。后来他在当地受普通教育，兼从当地剧院指挥学习钢琴，并尝试作曲。此间，巴拉基列夫结识一位业余爱好音乐的贵族乌雷贝舍夫。他曾写过有关莫扎特、贝多芬的论着，具有广博的音乐知识和丰富的藏书。巴拉基列夫与他交往，打开眼界，结识了俄国音乐界知名人士，并获得音乐方面的知识。他亲切称乌雷贝舍夫为“第二个父亲”。

　　1855年，巴拉基列夫到彼得堡，参加演奏活动，并发表自己的作品。1856年至1862年，巴拉基列夫与居伊、穆索尔斯基、包罗丁、里姆斯基·柯萨科夫，以发展俄罗斯民族音乐为目标，组成着名的“强力集团”。巴拉基列夫是这个民族乐派的首脑人物。1862年，巴拉基列夫创办免费音乐学校，为普及音乐教育，做出了贡献。1866年，巴拉基列夫应邀到捷克指挥歌剧。1867至1870年间，任帝国交响乐团指挥。

　　巴拉基列夫的主要作品是钢琴曲与交响音乐。其中，《伊斯拉美》钢琴幻想曲、交响诗《塔玛拉》、《俄罗斯》以及《第一交响曲》、配乐《李尔王》等较为着名。 俄国着名艺术评论家斯达索夫说，巴拉基列夫是“俄罗斯民族音乐的“教授”。

　　主要作品有：《C大调交响曲》、《d小调交响曲》、交响诗《塔玛拉》。管弦乐《三首以俄罗斯民歌为主题的序曲》，钢琴幻想曲《伊斯拉美》、《降b小调钢琴奏鸣曲》，《降E大调钢琴协奏曲》（未完成，由里亚浦诺夫续成）等。此外，又作有浪漫曲组歌两套和《强盗之歌》、《塞里姆之歌》、《格鲁吉亚之歌》等独唱歌曲，并改编、整理大量民歌，其中，著名的《俄罗斯民歌100首》便是他的杰作。

    俄罗斯国民乐派创始成员「五人组」之一，作曲家与钢琴家巴拉基列夫是自学成功的典范，他在图书馆吸收各种音乐与艺术方面的知识，实际技巧的练习则来自与私人乐团的切磋。他对推广俄罗斯作曲家的音乐不遗余力，并于1862年自创免费音乐学校。1871至1876年因精神崩溃暂停音乐方面的工作，当了一段时间的铁路管理员。1883年起被任命为教廷音乐总监。巴拉基列夫是十分优秀的钢琴演奏家，写了许多钢琴音乐，其中《伊斯拉美》是音乐史上著名的超技小品。其他作品还有两首交响曲、三首序曲以及一些歌曲。本辑收录巴拉基列夫所有钢琴独奏音乐，包括他改编自其他作曲家包括格林卡、贝多芬、肖邦等人的作品。本专辑是目前市场上唯一全集录音，版权来自美国名厂Essay，Brilliant取得版权以低价版6CD发行，绝对物超所值，学习钢琴者尤其不可错过。


Recording: 1992, Performing Arts Center, Theatre C, State University of New York
Producer: Richard Kapp
Engineer: Mikhail Liberman
Licensed from Ess.a.y. Records, USA
DDD

Mily Balakirev learned his craft from local musicians. Conductor Karl Eisrich introduced Balakirev to the music of Chopin, Glinka, and Alexander Ulybyshev, a music loving landowner who maintained a vast library of musical scores. In 1855, Balakirev composed his Piano Fantasia on Themes from Glinka's a Life for the Tsar, and Ulybyshev took Balakirev to St. Petersburg to meet Glinka himself. Glinka appreciated Balakirev's talent, and offered advice and encouragement. Balakirev enjoyed a brilliant debut as a pianist in St. Petersburg, and in 1858 performed Beethoven's Piano Concerto No. 5 in the presence of the Tsar. In April 1858, Balakirev fell ill with "brain fever"; although he recovered, he would suffer from lifelong headaches, nervousness, and depression. With the deaths of both Glinka and Ulybyshev, Balakirev decided to carry on their ideas of a style reflective of the Russian national spirit. Balakirev wrote incidental music to Shakespeare's play King Lear in 1859-1861, and its resulting popularity enhanced his reputation. In 1861, Balakirev established the Free School of Music with Gabriel Lomakin, with the support of Tsar Nicolas. At the Free School's concerts, Balakirev programmed his own music and that of his students -- Cui, Rimsky-Korsakov, Mussorgsky, and Borodin. This last-named group, along with Balakirev himself, were dubbed the "Mighty Handful" in the Russian press, and recognized as the standard bearers of a new form of Russian musical art.

When Lomakin resigned from the Free School in November 1867, Balakirev assumed its directorship. Along with his prestige came an increased lack of sensitivity and overbearing personality traits; by the late 1860s, Mussorgsky and Rimsky-Korsakov were exchanging letters complaining about Balakirev's "interference." Likewise, St. Petersburg audiences were protesting the lack of light, familiar fare on the Free School concert programs. Balakirev stepped down from the directorship of the Free School in April 1869, but bounced back with his most famous work, the brilliant piano fantasy Islamey, premiered by Nicholas Rubinstein in December. Rubinstein played the work at concerts in Paris and elsewhere, and it achieved great popularity in the West. In addition, Balakirev met and encouraged Tchaikovsky, who composed his Romeo and Juliet Fantasy Overture under the older composer's watchful eye. The Free School's concert season of 1871-1872 was a disaster; as a result, Balakirev lapsed into a depression lasting five years, and Rimsky-Korsakov overtook the direction of the institution. Friends helped revive Balakirev's spirits, and he returned as an instructor in 1877, but began to match temperaments with Rimsky-Korsakov, who resigned in 1880. Balakirev returned to the post of director, and in 1883 premiered his finest work, the symphonic poem Tamara. Well received in Russia, Tamara was a true revelation for musicians in France, who were amazed by the textures of Russian orchestral color.

In 1883, Balakirev accepted the position of Music Director of Imperial Chapel, naming Rimsky-Korsakov as his assistant. Three years later, Balakirev quarreled with his publisher, Jurgenson, and was dropped from their roster. In 1890, Rimsky-Korsakov held a gala in honor of his own 25th anniversary as a composer; Balakirev refused to attend, occasioning the final break in their relations. Having retired from the Imperial Chapel in 1894, Balakirev made his final public appearance conducting his First Symphony at the Free School in 1898. On the strength of this symphony Balakirev acquired a new publisher, and resumed composition, including the "Glinka" Cantata (1904) and a Second Symphony (1909). Unfortunately, these later works were received with complete indifference. As he had offended practically everyone in his social circle, few friends were left to comfort Balakirev in his last years. He died at the age of 73.
from Allmusic


专辑曲目：

CD 1: Fantasies And Nocturnes 幻想曲与夜曲

01. Islamey - Orientalische Fantasie [0:08:58.27] 伊斯拉美 - 东方幻想曲
02. Fantasie über Themen aus Glinkas "Ein Leben für den Zaren" [0:13:50.45] 格林卡"沙皇的一生"主题幻想曲
03. Fantasiestück [0:04:18.70] 幻想小曲
04. Nocturne No. 1 in b-moll [0:06:53.03] 降b小调第1号夜曲
05. Nocturne No. 2 in h-moll [0:09:58.60] b小调第2号夜曲
06. Nocturne No. 3 in d-moll [0:07:04.15] d小调第3号夜曲
07. Capriccio [0:10:30.70]  随想曲


CD 2: Sonatas 奏鸣曲

01. Piano Sonata in B flat minor Op.5 - I. Andante [0:12:09.27] 降b小调钢琴奏鸣曲Op.5
02. Piano Sonata in B flat minor Op.5 - II. Mazurka [0:04:35.48]
03. Piano Sonata in B flat minor Op.5 - III. Andante [0:07:52.54]
04. Sonatina (Esquisses, 1909) - I. Allegro moderato [0:02:07.71] 小奏鸣曲
05. Sonatina (Esquisses, 1909) - II. L'Istesso tempo [0:02:02.00]
06. Sonatina (Esquisses, 1909) - III. Coda-poco a poco piu agitato [0:01:31.52]
07. Piano Sonata in B flat minor (1905) - I. Andantino [0:08:49.50] 降b小调钢琴奏鸣曲(1905)
08. Piano Sonata in B flat minor (1905) - II. Mazurka-moderato [0:06:52.38]
09. Piano Sonata in B flat minor (1905) - III. Intermezzo-larghetto [0:04:37.50]
10. Piano Sonata in B flat minor (1905) - IV. Finale [0:09:27.60]


CD 3: Transcriptions 改编曲

01. Kamarinskaya (Mikhail Glinka) [0:09:32.30] 格林卡: 卡玛林斯卡亚，依俄罗斯舞曲主题的诙谐曲
02. Ne govori (Mikhail Glinka) [0:05:39.20] 格林卡: 不要说你的烦恼
03. Romance (Frederic Chopin) from Piano concerto no.1 in E minor, op.11 [0:10:57.47]
    肖邦: 浪漫曲，选自e小调第一号钢琴协奏曲
04. Cavatina (Ludwig van Beethoven) from String quartet no.13 in B flat major, op.130 [0:05:22.43]
    贝多芬: 短歌，选自降B大调第十三号弦乐四重奏，Op.130
05. Allegretto (Ludwig van Beethoven) from String quartet no.8 in E minor, op.59 no.2 [0:09:37.00]
    贝多芬: 稍快板，e小调第八号弦乐四重奏，Op.59-2
06. Reverie (Zapolsky) [0:06:23.10] 扎波尔斯基: 回忆
07. Pustinya (Mily Balakirev) [0:03:05.47] 巴拉基列夫: 沙漠
08. Introduction a "La Fuite en Egypte" (Hector Berlioz) [0:06:52.73] 柏辽兹:「出埃及记」前奏曲
09. Impromptu (Mily Balakirev) on the themes from 2 preludes of Chopin [0:05:34.37]
    巴拉基列夫: 依肖邦两首前奏曲主题的即兴曲
10. Jota Aragonesa (Mikhail Glinka) [0:10:40.25] 格林卡: 阿拉贡霍塔舞曲


CD 4: Waltzes 圆舞曲

01. Valse di bravura N°1 in G major [0:08:24.57] G大调光辉的圆舞曲（第一号）
02. Valse mélancolique N°2 in F minor [0:05:18.35] f小调悲伤的圆舞曲（第二号）
03. Valse-Impromptu N°3 in D major [0:05:10.58] D大调即兴圆舞曲（第三号）
04. Waltz N°4 in B flat major (Valse de Concert) [0:07:08.72] 降B大调第四号圆舞曲
05. Waltz N°5 in D flat major [0:07:22.48] 降D大调第五号圆舞曲
06. Waltz N°6 in F sharp minor [0:06:13.52] 升F小调第六号圆舞曲
07. Waltz N°7 in G sharp minor [0:07:30.50] 升G小调第七号圆舞曲
08. Polka [0:03:24.03] 波尔卡舞曲
09. Tarantella [0:05:49.32] 塔兰泰拉舞曲
10. Valse-Caprice N°1 in A flat major (after A.S.Taneyev) [0:06:09.25] 降A大调第一号奇想圆舞曲
11. Valse-Caprice N°2 in D flat major (after A.S.Taneyev) [0:06:30.50] 降D大调第二号奇想圆舞曲


CD 5: Mazurkas and Scherzos 玛祖卡与诙谐曲

01. Mazurka no.1 in A flat major [0:04:31.00]
02. Mazurka no.2 in C sharp minor (2nd version) [0:02:34.52]
03. Mazurka no.3 in B minor [0:06:02.55]
04. Mazurka no.4 in G flat major [0:05:47.40]
05. Mazurka no.5 in D major [0:06:52.70]
06. Mazurka no.6 in A flat major [0:06:11.00]
07. Mazurka no.7 in E flat minor [0:08:16.18]
08. Scherzo no.1 in B minor [0:07:54.05]
09. Scherzo no.2 in B flat minor [0:08:06.67]
10. Scherzo no.3 in F sharp major [0:06:11.03]


CD 6: Miscellaneous Pieces 小品

01. Dumka [0:04:35.72] 悲歌
02. Au jardin [0:04:27.73] 在花园
03. Gondellied [0:07:47.02] 船歌
04. Berceuse [0:06:21.00] 摇篮曲
05. The Lark [0:05:44.03] 云雀
06. Spanish Melody [0:04:14.67] 西班牙旋律
07. Spanish Serenade [0:06:05.00] 西班牙小夜曲
08. La fileuse [0:03:13.20] 纺纱人
09. Tyrolienne [0:05:41.60] 蒂罗尔舞曲
10. Chant du pecheur [0:03:55.10] 渔夫之歌
11. Humoresque [0:04:42.70] 幽默曲
12. Reverie [0:05:29.25] 回忆
13. Novelette [0:05:57.63] 新事曲
14. Toccata [0:04:18.07] 托卡塔(触技曲)

+++++++++++++++++++++++++++++++++++++++++++++++++=

另：
    米哈伊尔·格林卡(Mikhail Glinka) 1804－1857，俄罗斯作曲家，民族乐派，1804年生于斯摩棱斯克之诺沃巴斯科伊，出身于富裕地主家庭。在圣彼得堡受普通教育期间，于1817年师从约翰·菲尔德学钢琴，同时还学小提琴与和声。

　　《卡玛林斯卡娅》是格林卡最著名的一首管弦乐曲，作于1848年。采用俄罗斯民歌婚礼歌曲《从山后，从高高的山后》和舞蹈歌曲《卡玛林斯卡亚》的主题写成。乐曲开始在一段简短的引子之后，第一主题由弦乐器齐奏奏出，然后是主题的三次变奏，随着合唱的进入，旋律的呈示和交织，描绘出一幅幅俄罗斯农村婚礼的生动画面。在一小段连接句后，急速、活跃而热烈的第二主题的进入，仿佛宣告婚礼仪式已经完成，喜宴正式开始。第二主题运用装饰变奏、衬腔、音调的引伸发展和配器等作曲技法，使气氛越来越喧闹、幽默、热烈，当情绪达到最高潮时，整个乐队突然安静下来，只听到舞蹈歌曲主题的片断两次从远处传来。全曲在乐队猛然的一击后结束。

    双主题变奏曲《卡玛林斯卡娅》(Kamarinskaya)描绘俄罗斯婚礼，被认为是俄罗斯第一部交响音乐作品。这首乐曲的录音国内很难找到。《卡玛林斯卡娅》中的两个俄罗斯主题，不论是体裁或是性格都迥然相异：一个抒情、富于歌唱性、若有所思，另一个则欢乐而活跃；一个速度缓慢，另一个则相当快速。两个强烈对比的主题构建了不同情绪的对峙，这不仅冲击了我们的听觉，或许更多的是冲击了我们的心。

欧阳风刀

沙发难得频坐啊

欧阳风刀

哥们辛苦，感谢牛包推介！

云朵朵

独特的魅力，在流畅的琴音里，展现...............

云朵朵

谢谢九哥带来的好音乐

醉雪胡杨

听着很不错，一直比较喜欢乐器演奏的音乐，真让人喜欢，谢谢分享！