【影.心雨】读小说《红楼梦》：贾迎春情穿茉莉花

傲雷影儿 发表于 2026-1-11 10:22:18

读小说《红楼梦》：贾迎春情穿茉莉花<BR>

文/傲雷影儿<BR>

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   <section style="box-sizing: border-box;"><strong class="135brush" data-brushtype="text" style="box-sizing: border-box;padding:0px 5px;text-align: right;">读小说《红楼梦》：贾迎春情穿茉莉花
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文字｜傲雷影儿
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小说《红楼梦》第三十八回，群像描述中，贾迎春独自花阴下用花针穿茉莉花的经典场面，给足了读者情绪价值，这是一场早已酝酿好的深层意蕴，一次突显贾迎春温柔、内敛的气质共鸣。<br><br>

这幅大观园行乐图里，贾迎春的“静”，即不同于林黛玉的“娇花照水”，也不同于薛宝钗的“端庄明艳”，她是“观之可亲”的骨子里沉静，避世的静默，是具有亲和力的温柔感的女子，是一束淡淡的茉莉花，让读者有了可触摸的温度，感受贾迎春生存状态的孤独和情感层面上的信任崩塌。<br><br>

作者在小说中赋予贾迎春棋艺超群的天赋异禀，可是，整部书中，她的棋艺不是具体的与众人对弈的实写，而是在所谓“懦弱胆怯”“二木头”标签下的荒芜与闲置。父亲冷漠，继母薄凉，哥嫂无视，没人为她提供庇护，她内心的波澜与无助，只能通过天然围棋悟性与道家思想获得精神安慰，与其说贾迎春精通“棋艺”，不如说她更深悟“棋道”。那一幅温婉，质朴的穿茉莉花的图景，深刻而精致，人物弧光饱满，绝不是作者刻意堆砌群像的生硬拼接。<br><br>

在本该展示棋艺的群像图里，作者宁愿让贾迎春花下穿花，也没有为人物架构其棋艺精湛的意图，作者采取虚写的方式，解码贾迎春缘于骨子里的棋道造诣，这份超能力想没有都不行。当贾迎春周围纷争不断，自己的首饰都被偷走时，她随手拿的书是《太上感应篇》，不是有关围棋方面的书。可见，贾迎春平时并非是时时钻研棋艺的，她对周围一切纷争吵闹都不屑去管，也不想有能力去管。她认为是无聊的，她要的就是无为而治和宽容不争，包括她的棋艺，哪怕她有那份天马行空落地成真的天赋。<br><br>

贾迎春不是一个有气的死人，她的懦，是因为在家庭背景和行为约束中，没有赋予她行动的工具和空间。她能在全然被动的复杂关系中活下来，已是不易。她于围棋的黑白魂中出世，又被棋外的世界刻意打造的无用，她的禀赋长期遗憾搁置。她的如花岁月，最终在古典式的隐忍哀怨里，无可奈何地凋零。
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欧阳风刀 发表于 2026-1-11 11:09:34

美丽的生命，在那个社会，不可能让她活着。

欧阳风刀 发表于 2026-1-11 11:09:54

感谢傲雷影儿，分享辛苦了。

风樱落 发表于 2026-1-11 12:30:11

贴贴做的真漂亮。。

圊圊淥詶 发表于 2026-1-11 14:28:48

读了上次傲雷写的扈三娘我就在想，
傲雷写人很绝，
能从古典女子被钉死的命运里，
挖出那截带着血丝的骨头，
今天再读迎春，
更服，
你是真的很懂她们，在那个年代里的“静”~~

圊圊淥詶 发表于 2026-1-11 14:33:03

上次的扈三娘，你看出她的那一身风光战甲底下，全是冰凉的疤，
这一次的迎春，你又品出她二木头的标签下，藏着一盘自己跟自己对弈的哑棋，
其实她们俩都是一身本事没处使的人，
一个武艺超群却配给了大难看、猥琐男，
一个悟性极高却活成了空气，
她们最大的反抗，就是用自己的方式把命“静”完，
扈三娘用的是沉默，迎春则用了那串茉莉花~~

圊圊淥詶 发表于 2026-1-11 14:35:24

好巧不巧的是，最近收了一套4K修复版的87版红楼梦，这几天正在看呢;P

圊圊淥詶 发表于 2026-1-11 14:36:28

谢谢傲雷的分享，辛苦了，拜读你的精彩文字~~{:1_154:}

绿蔷薇 发表于 2026-1-11 17:08:35

影儿来了，多日不见，问好~~{:9_269:}

绿蔷薇 发表于 2026-1-11 17:11:52

写的真好，影儿笔下的迎春
是一朵在风雨飘摇中
试图用花瓣包裹自己的茉莉花

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【影.心雨】读小说《红楼梦》：贾迎春情穿茉莉花